REVIEWS


  • from the SANTA BARBARA INDEPENDENT [DEC 14,2000]
  • World We Have Lost

    Santa Barbara City College Holiday Choral Concert.

    SBCC Chamber Singers, the SBCC Concert Choir, soloists, and instrumental ensembles, directed by Nathan Kreitzer, at First United Methodist Church, Saturday, December 9

  • I somewhat misrepresented this concert in my column last week. I got the featured work right, but my guess as to the rest of the program-based on the words "other holiday favorites" in a flyer proved to be exceptionally wide of the mark. Instead of the carols and Christmas pop songs of my imagining (did I suppose I would hear Nathan Kreitzer directing "The Little Drummer Boy"?), the first half of the concert proved to be an exciting musical adventure that took us from Elizabethan/Jacobean England to the present dayroughly, from 1598 to 1998-and, after the break, the sublime Fauré.
  • The evening began with the a cappella SBCC Chamber Singers, Kreitzer directing, performing motets by John Bennet and John Wilbye. Bennet, who is dated only by the publication of his works (about 1599-1614), was represented by "Weep, 0 Mine Eyes," the most popular of the 17 motets he wrote for The Triumphs of Oriana. Wilbye's life, on the other hand, is extraordinarily well-documented, because he spent a large part of it in the service of the Cornwallis family, who seem to have been almost Teutonic about their record-keeping. The group sang his "Adieu, Sweet Amaryllis" from 1598. The Chamber Singers continued with four selections from Mozart's Vespere Solennes de Confessore, and finished up with three modern works, of which "Come to Me, My Love" by Norman Dello Joio was by far the most beautiful and striking. The Concert Choir came on then, and brought us up to intermission with an eerie, hypnotic, haunting Missa Brevis, composed just a couple of years ago by Kristina Vasiliauskaite. Only then did we get the Fauré, and it was still wonderful. The Pie Jesu is always a highlight for me, and Gina Bellino's voice, clear and pure, was equal to the challenge. There was more drama than Iremembered, more turbulence.
  • It was a marvelous concert from start to finish.
    • -Gerald Carpenter

 

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